Statement

My artistic practice addresses the relationship between the human being and the urban environment. I am interested in exploring how we communicate through the body and how space shapes our interactions and perceptions. I am not drawn to representing the human figure in an anecdotal or merely figurative way, but rather to analyzing the body as a medium of communication charged with meaning and tension.

This interest arises from observing how nonverbal language reveals deep aspects of our identity and social dynamics. Following Henri Lefebvre, I consider space not just as a backdrop where our lives unfold, but as a social construct that influences our behavior and the way we relate to one another. In this sense, the body and the city are not isolated elements, but interdependent systems in constant transformation.

In my work, this exploration materializes in the Ser Humano series, where corporality and nonverbal physical language are the central axis. Through bodily expression, I investigate how we transmit emotions, intentions, and tensions—both individually and collectively. To achieve this, I use expanded painting and experiment with materials such as wood and metal, transcending the limits of the canvas to create a deeper dialogue with space and the viewer.

Each piece seeks to capture the complexity of human interaction and its relationship with the environment, inviting reflection on the construction of our identity within both physical and symbolic spaces.